Okay, so I’m learning terms I don’t normally use pertaining to stories. One being, “meet-cute.” My new book, Craving Normal, not only has that, it has adventure, terror, young adult, coming-of-age, rom-com, movie star & musician encounters, social commentary with a twist, and more.
My true tales cover almost every genre but dystopian disaster. But, then again…
Sex! Now that I have your attention… I will talk about that, but mostly this thought spew may only interest personal essay writers/readers, memoir writers/readers, editors/agents/publishers, English lit academics, parents of kids under 10, kids who feared the VD man (explained below), and my daughter, to whom I wrote a personal note. Anyone else is welcome to read, of course. See, I know you’re scrolling by, notice too many words to deal with on a Sunday morning, and wonder if you should wade in to check out this post, so I’m telling you: Scroll on by! (This made more sense when I posted it on Facebook.)
Here goes: Writing academics, publishing experts, English lit types have defined story as ALWAYS FICTION. Always. A nonfiction story is called a personal essay. It’s that simple. Final. But for the last fifteen years or so, I’ve read my STORIES at bookstores’ open mics. Nobody asked me to get up and spout my personal essay. I go to theaters to hear other storytellers, like The Moth from NYC, which is nationwide now. There’s a growing STORYteller movement. People get up and tell personal STORIES; they call themselves storytellers.
In my book, “Craving Normal,” here’s how I’ve been thinking of the pieces in my collection – Some are stories where I’m the protagonist. There’s a beginning; what my character wants; conflict as my character tries to get there, and resolution. An example of this is my story “Suicidal Santa.” Within the story I do mention what’s going on in my community and the world, to give context. But it’s not the focus.
Meanwhile, in my book, I do have personal essays, where I wrote commentary on societal subjects, with personal anecdotes. I am not the protagonist in a story. It has a thesis statement, ending in a personal anecdote to back it up.
For example, there’s “My Barbie the Slut,” where my focus is one subject: SEX, the message I, at nine years old, received about sex. Sex as filtered through my kid mind and how I perceived what I was being told via TV, movies, songs, books. I’d pluck books from my parents’ filled book shelves, read Erica Jong’s “Fear of Flying,” and Michael Medved’s “What Really Happened to the Class of ’65?” Wow. Lots of teen sex (Hey, I thought those early 1960’s kids waited until they married?). My nine-year-old brain spun. Eye-opening! (I’d like to read that now as an adult.)
While adults thoughtfully gave me educational talks, those were in conflict with the messages all around me. So, in “My Barbie the Slut,” I storify my essay with my nine-year-old moments: beginning with my friend and me playing Barbies. Now, as often as I heard Helen Reddy sing “I am woman hear me roar,” and my mom gave me nice talks supporting women… Please! Barbie was all sex – big boobs, tiny waist, legs that could go behind her ears. AND! Accessorized with mini dresses and a sports car. That, plus the messages I got from movies: “Hi. Nice to meet you! Would you like to get naked and go to my bedroom? Or should I just tear your clothes off here in the doorway?” – no wonder I had my Barbie and Ken humping so hard, I scuffed their smooth plastic crotches.
Watch out, tangents ahead!
Parents of young kids – Be alert. Your kids sure are -> TV. Movies. Racy magazines found. Those nice talks adults gave me with healthy messages? Totally drowned out by the loud outside messages coming from a variety of sources. Hey, I was an observant little human (as most kids are). I paid more attention to the world around me than listen to lectures. Even though my parents limited my TV viewing, what little I saw I absorbed. I’d seen enough “Love, American Style,” episodes to dream of becoming a foxy stewardess with a guy in every city (Oh the conflict! Having to remember not to mix up boyfriends… flabby formulaic sitcom fodder). Hey, I was no dummy. I knew what Bob Eubanks on the “Newlywed Game” meant when he said “making whoopee.” His smirk gave part of it away. And then the way the contestants giggled and gushed, “Oh, Bob!” as they blushed, confirmed whoopee was about “It.”
IT. Doing IT if it feels good. Getting IT on. IT was piped into my head as if on a corporate Muzak loop. But do I want IT? When do I want IT? What if I don’t want IT?
And then cut to a commercial break for, say, Summer’s Eve. Those ads totally confused me. What in the world made these women so happy they would run through fields of wildflowers, huge smiles and flowing hair?
Even the choice of boogie monster we San Francisco State University student housing neighborhood latchkey kids feared made it clear how influenced we were by our sexually-charged era and society. We created scary neighborhood lore, the way other kids might say the most dilapidated house on the block is haunted. It started with the older teenage boys on our street. They told us about a naked man running through the eucalyptus groves near the handball courts of San Francisco State University. To enter the grove area we had to go through a hole in a chain link fence below a sign that said, in large red letters, “Danger!” So we appropriately called the land where The VD Man supposedly lurked, Danger.
NOTE TO MY DAUGHTER: If you read this, now you know why I was so on top of what movies and TV shows you watched, so much so that little you would ask, “Mommy, is this appropriate?” And why teenage you thought I was such a nagging bore. I know from my own experience being a kid, how messages are absorbed and how it’s confusing. Heck, soda and beer companies don’t pay hundreds of millions of dollars (or whatever it is) to advertise during the Superbowl because TV messages DON’T work. (Remember this if you become a parent. TV as a babysitter is like leaving your kid with a whacked out crackhead who also likes to sell you lots of pharmaceuticals and fear. Fear is a great manipulator. But it does sell drugs and insurance. Would you leave your kid with that crackhead?)
Anyway, my point is this: “Suicidal Santa” is in story form vs. “My Barbie the Slut,” which is societal commentary with personal anecdotes has some storyification, and what I call a personal essay.
Because I will be publishing under my own Exotica Gooch Publishing, I can do what I want. I will continue to blend my genres. *Exotica Gooch is my alter ego (There’s a story behind it, but I’ve yammered enough.)
Welcome to my new blog! I hear Rodney’s voice: “Tough crowd. Tough crowd.”
Excerpt from my book “Craving Normal,” in my story “Confessions of a Hollywood Extra”:
While working as an extra on the movie “Back to School,” with Rodney Dangerfield, I sat about ten feet from Rodney and Sally Kellerman as they prepared to do a scene—the quiet of the set before the cameras rolled allowed my voice to carry. My female newlywed friend, another extra, wondered if I wanted to get married. The last thing on my mind! So I said, “I’m not meeting guys nice enough to go out with in LA. Can’t imagine finding one to marry.” My voice carried through the silent crowd.
Rodney’s voice boomed toward me. “Hey, Honey! Come down here! I’ll marry ya! I’ll marry ya, right now!” My face turned hot, and I’m sure as red as a tomato, while Rodney, the crew, and the extras laughed. Well, that was one way to shut me up. And it did.
Bottom left, dancing to Oingo Boingo in the
Dead Man’s Party scene, in “Back to School.”
Jen (the blonde in the video thumbnail) is my newlywed friend I mentioned in my Rodney Dangerfield moment of humiliation. I’m dancing in this Oingo Boingo
video, next to Jen. But you have to stop the video to find me. And, of course,
I DID just that. I’m at 2:08.
“Craving Normal,” my stories as a child growing up in the 1960s and beyond, will be available soon. Here’s my nearly complete book cover. Think I’ll keep “Enthusiastic quote goes here.”
“Craving Normal,” by Michele Miles Gardiner – back book cover text:
Living in a rock hut on a nude beach, staying in a religious commune,
facing an angry man with a gun, riding camels, hiding her freaky health
food lunches from lucky Twinkie eaters – Michele didn’t experience any
of this when her family lived in the suburbs of San Francisco. Then came
the counterculture revolution. Her entire life changed: Michele’s young
parents sold their home, bought a car and trailer over-seas and took her
and her little sister to explore the world.
We know a lot about the “flower children,” but what does an actual child
growing up in that era have to say? While many tales about that revolutionary time
are on record, few come from the perspective of the children who lived it.
This collection of stories are from one child’s perspective – tales of
becoming a young adult whose brain, and life, transformed from her early
experiences. Rebelling by cheer-leading, eating junk food, attending honor
roll parties, dreaming of being a foxy stewardess/actress? Lame, sure.
But how else does a child of young parents of the wild Sixties generation
rebel? By countering the counterculture.
Michele’s collection of stories – in which she rarely takes herself too
seriously – span from her earliest memories of the suburbs (her idea of
“normal”), through growing up trying to find a place where she fits in, once
again. Does she find it? Is Hollywood a sane place to search for normalcy?
The reason life is like dating is if everything went smoothly, just as we plan, all the time – no awkward experiences, no “get me outa here!” moments – it would be much harder to appreciate the pleasant moments. Life can be like people we may date: Awkward, odd, horrifying… but then, along comes a good one. After all the bad dates, you appreciate him/her all the more.
Here’s one blind date I experienced:
Right when we met and got into his car, the guy started making goo-goo eyes at me, trying to hold my hand, not taking the hint from my don’t-touch-me body language – arms folded over my chest, body pressed into the passenger door, and nervous laughter. At a stop light, he stared at me for an uncomfortably long time and said, “You remind me SO much of my dead sister.”
Nooooooooooo!
Oh, and it only got worse. The entire night he stared at me with a creepy reverence, as if I were an angel whom he’d never let go. Hence my physically wrestling him all night until I finally fled.
Still talking to myself on this blog, but if you happen to read this share one of your “date from hell” stories. I’m not the only one, right? We’ve all endured crappy dates. I know. Tell me about it.
You can take the child out of the wild, but not the wild out of the child… apparently. This may explain many of my stories. When your brain is formed a certain way – on freedom, travel, adventure – makes it hard to be happy sitting in a cubicle, or locked up in school, following bells, rules and clocks. It’s a huge reason I’m self-employed. And why I’m still wild today.
Photo: Nude beach, Mykonos, Greece. I’m second from left; Little sister, far left, with beach friends.
I write about living in a rock hut on this nude beach in my book, “Craving Normal.” The story’s called, “That’s Not An Eel!”
How did we end up in a religious commune? Well, here I am in La Jolla, California dancing and singing to The Fifth Dimension’s “Aquarius,” just before these men (on the lawn) talked my dad into taking our family to stay at their religious commune in San Diego. Not that my dad was religious, just that he had a deep reverence for penny-pinching. Getting stuff free was the closest he got to a spiritual moment.
Wearing my super groovy vinyl dress, I danced and belted out, “This is the dawning of the age of Aquarius…” clueless about where we were headed.
More about this commune experience in my up-coming book, “Craving Normal,” in the story titled “Jesus Freak for Cheerios.” To keep posted on my new non fiction book, join my email list here: http://michelemilesgardiner.com/
Observation: Looks like the woman in red scarf is scoffing at our hippieness, and/or at the dude on the left who may be toking a joint.